Archive

Drawn ornaments on celluloid become rhythmic sound collages through projection and effects.

Ambient performance with processed recordings. 3D CGI visuals meet fragile, transient sound worlds.

Quadrophonic composition. Eine audiovisuelle Installation, die an ein mysteriöses Ereignis im damaligen Santa Fe de Bogotá 1687 erinnert.

aporia::atopia is a Berlin based duo focussing on the production and improvisational live performance of electronic music, working in a broad spectrum of sounds — ranging from electroacoustic experiments, ambient music to beat driven techno. Aquarium (Kathrin Schreier & Andreas Stoiber) accompany with analog video synthesis and voltage controlled time patterns.

The project “Audiovisual Control” consists of the improvised modular synthesizer sounds of Demiurge (Thomas Baz) and the visuals of akustoOptik. The audio signal directly controls the visual parameters via CV/MIDI, creating a truly interconnected audiovisual performance.

Through inner exploration, Bora shapes emotions when words cannot. The world created is an expansion of inner space — sound as a vessel for unconscious and inner waves.

With a background in breakcore and a love for video game soundtracks, Disrupt set out to unite bits and bytes with the goodness of DUB back in 2003, founding the Jahtari imprint in 2007. Accompanied by visuals from Leoff.

Komposition und Dekomposition sind zwei der aktuellen Methoden von Friederike Jäger. Sie sammelt Klangfragmente, bearbeitet und manipuliert Sounds und komponiert daraus Tracks und Live-Soundtracks.

MimiCof is the solo project of Midori Hirano, exploring experimental composition and detailed rhythmic patterns. She has released on PROGRESSIVE FOrM and Alien Transistor, and performed at Club Transmediale, Heroines of Sound, and Boiler Room Berlin. Kaliber16 translates the audio signal into abstract video.

Martha Bahr (Panic Girl) and Anatol Locker from Munich. Modular synth meditations mixing electronic ambient with experimental structures. Their debut album Rise & Fall was released via Modularfield.

Japanese-born, Berlin based experimental sound artist processing instruments to generate delicate yet powerful ambient textures connecting drone with the cathartic side of noise. Saiko Ryusui accompanies with self-cut, abstract videos from everyday material.

Turkish musician from Istanbul creating eerie sound in a twilight zone — deeply personal yet distantly alien. Awarded “best original film music” at SIYAD 2017 and best film music at Türkisches Film Festival Frankfurt 2018.

Emme (Modularfield) is an electronic musician from Argentina, based in Berlin. Sci-fi influenced sound explorations between ambient soundscapes and energetic rhythms. Accompanied by visual artist DuperHere from Chile, working with geometry and textures.

Collaborative audio-visual performance between animator Marcus Gryszock and musician Dirk Markham. Live stop-motion animation with a real-time soundtrack of processed guitar, effects and samplers.

Lindred creates hyper-emotional music — heart wrenching melodies with voices of disembodied longing transformed into otherworldly electronic ambiences. Sune’s distinctly digital visuals, built from fluorescent abstract figures, form a liquid, crystalline counterpoint.

Sound philosopher and mind traveler. “I aim for purity — what is suppressed underneath the intellect. It is a physical reaction to the confrontation of myself, removing the barriers between me and the reflection of me — the sound.”

Electro-acoustic composer using esoteric synthesizers, test equipment, magnetic tape and idiophones. THE WIRE called his music “one hell of a trip”. Orca’s digitally drawn videos let bodies emerge into fast loops with GIF aesthetics.

DuChamp is an Italian scientist and musician based in Berlin, religiously devoted to drone — related to the sound of her mother’s hair dryer, the sound of care, bliss, and infinite love. She incorporates personal field recordings into her drone compositions. Dafne Narvaez Berlfein creates collaborative audiovisual pieces.

The ambient drone collaboration of Jan Wetzel and Michel Griese — a synth and a guitar both gently strummed to weave complex sound patterns and free improvisation into abstract arrangements.

Logic Not verwendet modulare Klangsynthese als Werkzeug für eine gleichsam räumlich-ambiente und rhythmisch komplexe Dramaturgie. Flimmerkiste hat sich in der Berliner Clubszene durch viele visuelle Kooperationen einen Namen gemacht.

Premiere of APPARITIONS IV — an ongoing series of collaborative audio-visual performances. Monocube (Odessa/Berlin) explores drone, industrial and experimental ambient. M. Kardinal works with obsolete video technique, circuit bent machines and toy cameras.

Florian Anwander and Anatol Locker from Munich’s synthesizer scene. Ambient, downbeat and groove oriented electronic music created absolutely live on stage. No stored sequences, no presets. Visuals generated live via video synthesis.

Adriano Capizzi, a protagonist of the Swiss synth scene, presents a new ambient project — combining abstract sonic textures and visuals resembling old movie scenes.

Der Berliner Experimentalmusiker Felix-Florian Tödtloff arrangiert elektrische Gitarre und Synthesizer zu Klangcollagen zwischen Minimal und Melancholie. Regis Lemberthe erzeugt dazu Live-Visuals.

Nach sieben gemeinsamen Jahren in der Band Jagadamba und einer ausgedehnten Pause haben die beiden 2017 mit dem Projekt Huellkurve ihrer gemeinsamen Faszination für Hardware-Synthesizer einen Namen gegeben. Ein Sound zwischen Techno, Elektro und Acid — für Music for Cinemas extra als Ambient-Live-Set.

Philet bewegt sich zwischen Ambient, Drone und Techno. Im Zentrum steht der modulare Synthesizer, mit dem das Imaginäre in die hörbare Klangwelt übersetzt wird — der Soundtrack zu einem imaginären Film. Visuell unterstützt von Mary Gouldsbrough.

Mitglied der Gruppe Celsius Panda und Betreiber des Labels AllMyGhosts. Für diesen Abend spielte Nils Panda ein Ambient-Set.

Improvisiertes Live-Set mit ambienten Klangflächen und Synthesizer-Melodien, verwoben mit dynamisch variierenden Beats. Die Musik wurde in Echtzeit computerbasiert in abstrakte, farbenfrohe Visuals übersetzt.

Pulsierende Drones, psychedelische Fragmente und schleppende Beats. Elektroakustische Improvisationen an Saiteninstrumenten, DIY-Geräten und dem Modularsystem zu vielschichtigen Visuals.